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Intellectual exchange was stimulated by a remarkable tolerance in Dutch society, partly the result of idealistic notions concerning freedom of thought and religion, partly the pragmatic outcome of so many people with diverse backgrounds having to live in close proximity of each other.

Although Dutch 17th-century society shows signs of an early "pillarization" of the religious segments among the population, these groups were never cut off from each other.

Even the Portuguese and German Jews enjoyed relatively large freedoms. Amsterdam had its Jewish quarter, but it was not a ghetto.

Research was primarily conducted at the universities, but there were quite a few amateurs, collectors and private scholars, who were particularly active in the fields of history and the natural sciences.

All these factors — political, social, demographic, economic, religious, cultural and intellectual — equally provide the key to an understanding of the remarkable success the Dutch Republic had in the sphere of publishing, printing and bookselling.

According to the Short-Title Catalogue, Netherlands STCN; the Dutch national bibliography , between and hundreds of printer-publishers were active, producing well over 67, titles.

But books were printed all over the Netherlands, in The Hague, the centre of national government, as well as in the provincial capitals such as Middelburg , Zwolle and Leeuwarden ; in industrial towns like Delft , Haarlem and Alkmaar and in sea ports such as Vlissingen Flushing , Rotterdam , Maassluis , Enkhuizen and Harlingen ; and of course in the university cities Leiden, Franeker , Groningen , Utrecht and Harderwijk.

Even in some of the larger villages, like De Rijp in North Holland, a bookshop or printing establishment could be found, while hawkers and other itinerant salesmen and women roamed the countryside with a variety of cheap printed matter, pamphlets, almanacs, songbooks, prints and the like.

How then did printing and bookselling profit from these favourable circumstances? One of the most important social factors benefitting the Dutch book trade was the constant arrival of newcomers.

Many of them came to the country as religious exiles, others were lured by the promising economic prospects. In the decades around a veritable exodus of human capital occurred from the Southern Netherlands to the North as a result of the Spanish persecution of Protestants.

Among them were numerous printers and booksellers, who brought with them professional skills and expertise in typefounding, printing and publishing as the Southern Netherlands had been an important region for book production.

One of the cities that received them with open arms was Leiden, home of the first university of the Dutch Republic.

In they appointed Willem Sylvius ca. Sylvius, however, died within three years of his appointment, after which his son Carel briefly took over.

He in turn was succeeded by the most famous printer of the era, Christopher Plantin ca. Later in the 17th century another substantial wave of refugees arrived, consisting of large numbers of Huguenots who had been expelled from France following the revocation by Louis XIV — of the Edict of Nantes in Among them were, again, many printers and booksellers, most of whom set up business in Amsterdam and The Hague.

Their publications, including innovative genres such as scholarly journals and newspapers , are mainly in French and written and edited by prominent Huguenot intellectuals.

The federal and particularist political system of the Dutch Republic meant that the government was not able to exercise the same degree of control over the book trade as existed in centralized monarchies like France or England.

Although the States General, and in its wake the provincial States, regularly issued decrees and proclamations against the publication of texts that were deemed seditious , blasphemous or otherwise harmful to the state and the public interest, such works could still appear without much difficulty.

Sometimes they sympathized with the contents of the work, as was the case with certain factional publications or the writings of political or religious exiles.

Sometimes they were unwilling to act because they were all too aware of the economic benefits such publications brought. The Amsterdam publisher Willem Jansz Blaeu — [ ] , who is renowned for his production of a great variety of high quality publications — from books on navigation, maps and multi—volume atlases to classical editions and literary and scholarly works 11 —, was also active in the mass production of Catholic church books intended both for the use of Dutch Catholics and for export abroad.

More often the authorities simply lacked the instruments to control this sort of activity. In the Dutch cities so many printers were at work, that it was virtually impossible to check if they complied with the rules and regulations.

Moreover, it was easy to hide behind a facade of false imprints — the most famous one being "A Cologne , Chez Pierre Du Marteau" — and antedated years of publication, or to use worn-out type, making identification of the printer very difficult.

Only in periods of acute political crisis, as occurred in the years —, and , were serious attempts made by the authorities to curb the printing press.

It is telling, however, that it was precisely in these periods that the production of pamphlets, which gave a voice to public opinion, exploded.

In economic terms the book trade profited greatly from the flourishing industrial and mercantile climate. A good infrastructure of roads and waterways, which included newly-dug canals between the major cities, made transport quick, safe and reliable, while the Rhine and Meuse rivers and the North Sea gave easy access to other European markets, particularly in France, the British Isles, the German states, Scandinavia and the Baltic region.

Thanks to low interest rates on average around 5 percent and a well-developed financial market, capital was cheaply available, an important asset for an industry in which money was often locked up in stocks of books.

Nor was there a shortage of skilled labour in the various branches of book making, some of which developed into separate enterprises. Independent type foundries could be found in Leiden and Amsterdam, 14 while jobbing printers, who did not publish books themselves anymore but only worked to order, were well established in most cities by the middle of the century.

The absence of strict external by the government and internal by the industry economic regulation prevented market protection and excessive monopolies in the most lucrative publications.

The national and provincial authorities did issue privileges, but their only function was the temporary on average fifteen years protection of the copyright of publishers and — sometimes — authors.

Supported by their municipal governments, they violated the privilege by openly pirating the official edition first published in , thus providing ample proof that the power of the States General was limited.

Later it was decided that no publisher would be able to obtain a privilege on commercially lucrative parts of bibles, schoolbooks and editions of the classics.

In spite of the economic weight of the book trade, separate trade guilds of printers and booksellers were a relatively late phenomenon in the Dutch Republic.

Printers, bookbinders and booksellers originally were incorporated in the guilds of St. Luke, which represented first and foremost the interests of painters, sculptors and other artisans.

The first book trade guild was established in Middelburg in , but in important cities like Amsterdam, Leiden, Rotterdam and The Hague, such organisations did not come into existence until the second half of the 17th century or even later.

Moreover, their powers were limited to the training of apprentices, the supervision of copyright privileges and the regulation of public book sales.

In Amsterdam, Catholics and Jews were allowed to become members, while women could succeed to the businesses of their deceased husbands or fathers.

Not a few of them turned out to be excellent book trade entrepreneurs. The workings of the Dutch staple market, importing raw materials and exporting finished products, can be observed in the book trade as well.

Two essential raw materials for book production, type metal a mixture of lead, tin and antimony and paper made from rags , had to be obtained from other countries.

Base metal came from mining areas in Germany and Britain. Paper was produced in the Low Countries, but the great majority was bought in vast quantities from the Basel -Mulhouse region and the South-West of France , where Dutch merchants had invested heavily in paper mills.

Only by the end of the century, when paper imports from France came to a standstill following the persecution of the Huguenots and the protectionist policies of the French government, a serious threat of paper shortages loomed.

Newly established and technologically advanced paper mills in the Zaan, Veluwe and Achterhoek districts were soon able, however, to satisfy national demand and even produce for export.

Another, less tangible raw material for book production was news and information. Because of the extensive Dutch foreign trade network , news from all over the globe travelled easily to the Dutch Republic, where it was converted into print.

News from Italy, Germany etc. By the second half of the century, several cities would have their own newspapers, and sometimes more than one, not only in Dutch, but also in French and other languages, which were sent to subscribers both at home and abroad.

One of the most famous was the Opregte Haerlemsche Courant , the first issue of which came out in Haarlem in and was considered the best newspaper of its time.

In the s the first scholarly journals began to appear, most of them written in French and edited by Huguenot journalists and scholars.

Containing reviews and scholarly news these journals provided an essential service to readers all over Europe who needed expert guidance in finding their way in the fast growing number of learned books produced by the European printing presses.

He is depicted in his bookshop, holding in his hands a newssheet with the text "Altijt wat nieus" Always something new. That the Dutch book industry was internationally oriented can also be seen in other sectors of publishing, particularly in the mass production of those books for which an almost insatiable demand existed.

The most-read book in Europe was of course the Bible, but in many countries Bibles were difficult to obtain because of their high price resulting from trade monopolies and problems of production and distribution.

Well aware of the gaps in the market, Dutch printers produced editions of Bibles in almost every European language, not only, or necessarily, out of a religious commitment to spreading the word of God, but to make money.

A Spanish folio Bible was printed in Amsterdam as early as , while editions of the much praised Italian translation of the Psalms and New Testament by the Swiss-born Protestant theologian Giovanni Diodati — appeared in Haarlem in — French Bibles, New Testaments and Psalm books came out from s onwards in numerous editions, intended partly for use in the many Walloon churches in the country, partly for export.

In the s the Leiden printer Jacob Marcus ca. The greatest commercial success, however, were English Bibles, both the puritan "Geneva" translation and the Anglican King James Bible.

They were produced in truly enormous numbers almost exclusively for the British market. Some of the first entrepreneurs in this field were exiled English nonconformists working in Amsterdam and Leiden in the first half of the 17th century, but soon Dutch printers entered this highly profitable business.

In the last decades of the century an extraordinary partnership for the production of English Bibles existed in Amsterdam between the Catholic widow Susanna Schippers and the Jewish printer Joseph Athias ca.

The same can be said for the production of Jewish religious books in Spanish and Hebrew, used by the Jewish congregations in the diaspora.

Following the demise of Hebrew printing in Northern Italy , Basel and Prague , Amsterdam in particular, thanks to its growing Sephardic and Ashkenazi population, developed an extensive Jewish printing industry.

One of the pioneers was the learned rabbi of the Portuguese synagogue in Amsterdam, Menasseh Ben Israel — , who between and printed well over seventy books in Hebrew and Spanish, both religious texts and scholarly works.

Interestingly, from the beginning Jewish printing attracted a good amount of financial investment from non-Jewish Dutch publishers and financiers, but direct orders for ritual books in Hebrew and Yiddish also came from Jewish congregations in Poland and the Baltic states.

The domination of Amsterdam Jewish printing was so strong, that printers in other countries simply could not compete, which led them to use false Amsterdam imprints or declarations claiming that their books were printed with the much admired Dutch type fonts.

Another group of books that were produced in large quantities in the Dutch Republic for export, were pirated editions of foreign bestsellers.

Dutch printers were constantly on the lookout for interesting publications that they could copy. These included, besides bibles, literary texts, scholarly books, and even musical compositions.

Naturally, this practice gave rise to numerous complaints. Of the large piracy factory established in Amsterdam at the end of the 17th century by the brothers Jean Henry Huguetan — , Marc Huguetan — and Pierre Huguetan — , members of an old and highly respected bookselling family in Lyon who had been forced to leave the city after , it was said that they did not care who they damaged or where.

The practice also served as a necessary corrective to the ills of monopolism and mercantilism, which resulted in artificially high prices and problems of distribution.

The fact, for example, that Dutch publishers were able to sell their cheap reprints of French literary works or Italian musical compositions in Scandinavia or Russia, did not necessarily damage the interests of the original publishers, as they had no market there.

The Dutch publishers often sold their pirated editions via all sorts of smuggling routes, but for their regular international book trade the made use of an old and established trade networks.

Throughout the 17th century they frequented the semi-annual book fairs at Frankfurt, and later Leipzig , in order to exchange their latest publications.

As books from the Netherlands were much in demand abroad, Dutch booksellers were able to demand more favourable exchange rates, such as two sheets for one, which led to the creation of large stocks of imported books.

One year after the death of the last of the Amsterdam Elzeviers, Daniel Elzevier — , a book auction was held to empty his warehouse.

The catalogue numbers well over pages containing some In Frankfurt the Dutch booksellers also worked as middlemen for colleagues in other countries who could not come to the fairs themselves.

During the last decades of the century, for instance, booksellers in Amsterdam, Leiden and Rotterdam acted on behalf of booksellers in London specialized in the so-called "Latin trade", the import of scholarly and scientific books.

When in the renowned Amsterdam firm of Janssonius van Waesberge was partly liquidated, they ran four bookstores; the largest one was in Amsterdam, two smaller shops were located in Frankfurt and Leipzig, and then there was a "considerable bookshop" in Danzig, said to be the largest of the city.

However, the home market was no less important, thanks to the growing population, high literacy and the flourishing cultural and intellectual climate.

The most famous Dutch academic publishers, the Elzeviers, were active in Leiden for more than a century, from the end of the 16th century until the beginning of the 18th, 33 while separate branches operated for shorter periods in Amsterdam, The Hague and Utrecht.

In Leiden, the Elzeviers served as university printers from to , thanks to the excellent quality of their printwork and large assortment of typefaces, including commercially unattractive fonts such as Arabic and Ethiopian, which were used to print the oriental studies and text editions of Leiden professors.

But whereas the Elzeviers had many national and international contacts, through which they could supply their home clientele with books in Latin, French, German, Spanish, Italian and English, many of the smaller bookshops only sold Dutch books.

Some were active as general booksellers with a varied assortment of books. Others operated in well-developed niches, such as religious texts, books on navigation, travel journals, almanacs, schoolbooks, music, literary works, and illustrated books and prints.

Another very important outlet of books within the Dutch Republic were the book auctions. Book auctions soon became very popular; by the middle of the 17th century in Leiden alone some 20 to 25 book sales were held each year, while the total number of book auctions in the entire Republic for the 17th century runs into several thousand.

The availability of a large volume of books for domestic consumption points to a substantial reading public in the Dutch Republic. Still, books cannot be said to have been a common item in Dutch households.

A survey of 17th-century estate inventories in Leiden shows that even among the more affluent middle and upper classes book ownership was not self-evident.

In about half of the material households described in these inventories, books are absent. In the other half, the majority of book "collections" are limited to no more than a handful of books.

Larger collections of up to fifty titles are rare, big libraries of a couple of hundred books even rarer. One such private collection that against all odds was not sold and dispersed after the death of the owner is the Bibliotheca Thysiana in Leiden, founded in by the young Leiden jurist Joannes Thysius — , who in his last will had stipulated that his library of about 4.

The collection is, however, not representative of the nature of most major libraries. Whereas Thysius, who had almost unlimited funds, could aim for a universal library, representing classical and modern authors on every subject imaginable, most book owners built their collections for practical or professional purposes.

A medical doctor would first and foremost own medical books, a Protestant minister theological ones. The Bibliotheca Thysiana, a private collection turned into a public library is unique.

But there were other institutional libraries. Most universities had their own library, often built on the remains of the book collections of Catholic churches and monasteries which had been dissolved at the end of the 16th century.

The oldest is Leiden university library , founded shortly after the creation of the university. In its first catalogue was printed, the Nomenclator , listing some books which were chained to the lecterns.

At regular intervals new catalogues were printed, indicating the continuous growth of the collection.

In the library was almost doubled in size by the acquisition of the large collection of the polymath Isaac Vossius — , which included important books and manuscripts that originally belonged to the library of Queen Christina of Sweden — , whom Vossius had briefly served as librarian.

Quite a few cities had their own municipal libraries. Walburgis church where it still resides; it is the only surviving example of a chained library in the Netherlands to serve as an ideological arsenal for the Counter-Reformation.

In the seventeenth century this and other city libraries served the needs of a small local elite of town administrators and church ministers, who could obtain a key.

An exception was the municipal library of Amsterdam, founded in and housed in a small chamber of the New Church. It prided itself for being open to everyone who could read, but did not have the means to buy books.

In it was converted into the library of the Amsterdam Athenaeum Illustre , the precursor of modern Amsterdam University.

Other institutional libraries could occasionally be found in the local secondary Latin Schools, where boys were educated for university, in some Dutch Reformed churches, for example the library in the New Church of Enkhuizen , and in the seminaries of religious congregations, such as the Ets Haim Tree of Life library of the religious school of the Jewish Sephardic community in Amsterdam.

Among its users was young Baruch de Spinoza — [ ]. What comes up must go down. This universal law also applies to the success of the Dutch book trade in the 17th century.

The causes of the downturn were already present in some of the conditions that had made the remarkable flourishing of printing, publishing and bookselling possible.

Aufgrund ihrer immer hoffnungsloser erscheinenden Situation und der wachsenden Skepsis gegenüber Fremden stellt sich bei einigen Mitgliedern eine merkliche seelische Veränderung ein.

Der Schwerpunkt liegt somit einerseits auf der Frage, wie sich die Menschen verändern, wenn ihnen ihr gewohntes Leben weggenommen wird und sie plötzlich um Dinge, die sie für selbstverständlich hielten, kämpfen müssen.

Zum Anderen aber geht es um die Selbstdefinition von Menschen. Wie sollen wir uns gegenseitig verhalten? Wie sollten wir die Arbeit aufteilen? Ohne Unterstützung von Regierung, Gesetzeshütern und einer fest vorgegebenen Moralvorstellung, sind wir dann wirklich alle gleich?

Können wir uns nehmen, was wir wollen? Gibt es immer noch privaten Besitz? Wird das Leben tatsächlich 'übel, brutal und kurz' Hobbes oder wird es einfach anders sein, mit eigenen Problemen und Mühen, gekoppelt mit Mühen und Triumphen?

Darabont schrieb auch das Drehbuch und führte Regie. Juli gab Darabont bekannt, wer die sechs Episoden der ersten Staffel schreiben und drehen werde.

Darabont arbeitete am Drehbuch für die ersten drei Folgen und führte Regie beim Piloten. Michelle MacLaren führte bei der zweiten Folge Regie. Der Verkauf der internationalen Ausstrahlungsrechte wurde am September wurde anstatt der zuerst angekündigten ersten Episode [24] nur ein zehnminütiger Trailer gezeigt.

August erklärte Darabont, dass The Walking Dead um eine zweite Staffel verlängert worden sei, für die die Produktion im Februar beginne.

AMC gab jedoch an, dass dies noch nicht der Fall sei. Darabont möchte in der zweiten Staffel die bei den Fans des Comics sehr beliebte Figur der Michonne einführen und mehr von der Umwelt des zweiten Buches zeigen.

Aufgrund der gestiegenen Quoten während der zweiten Staffel gab AMC nach zwei ausgestrahlten Episoden die Produktion einer dritten Staffel mit insgesamt 16 Episoden bekannt.

Im Dezember wurde die Serie auf Grund der sehr hohen Einschaltquoten von über 10 Millionen Zuschauern um eine vierte Staffel verlängert, welche aus 16 Episoden besteht.

Gleichzeitig wurde bekannt, dass der Showrunner Glen Mazzara die Serie wegen künstlerischer Differenzen verlassen wird.

An seine Stelle als Showrunner tritt Scott Gimple. Ende Oktober wurde die Serie um eine fünfte Staffel verlängert. Mitte Juli stürzte ein Stuntman am Set im Bundesstaat Georgia bei einer Kampfszene 10 m in die Tiefe und starb später an seinen schweren Kopfverletzungen.

Die ersten Szenen des Pilotfilms wurden am Juli bei der Comic-Con in San Diego gezeigt. Oktober bei AMC ausgestrahlt.

Das waren die höchsten Einschaltquoten der gesamten ersten Staffel. Oktober bis zum März in zwei Teilen von sieben bzw.

Ebenfalls erreichte sie mit 4,8 und 4,2 Millionen Zuschauern einen neuen Rekord in den relevanten Zielgruppen 18 bis 49 und 25 bis 54 Jahre.

Inklusive zweier Wiederholungen sahen elf Millionen Menschen die Episode. Die Staffelpremiere überbot mit insgesamt 10,9 Millionen Zuschauern, davon 7,3 Millionen in der werberelevanten Zielgruppe, die Premiere der zweiten Staffel um über 50 Prozent und wurde in der Zielgruppe zur meistgesehenen Sendung der Herbstsaison.

Oktober [52] und setzte mit über 16 Millionen Zuschauern, 10,4 Millionen davon in der werberelevanten Zielgruppe, einen weiteren Serienrekord. Die Ausstrahlung der fünften Staffel startete am Oktober und lief bis Oktober bis 3.

Die Erstausstrahlung der siebten Staffel begann am In Deutschland wurde die erste Staffel ab dem 5. November auf FOX im Zweikanalton ausgestrahlt.

Oktober und wurde wie in den USA zweigeteilt bis zum März auf dem deutschen Bezahlsender FOX gezeigt. Die vierte Staffel wurde abermals kurz nach der US-Premiere Oktober bei FOX ausgestrahlt.

Oktober , auf FOX. Die Ausstrahlung der sechsten Staffel erfolgte vom Oktober bis 4. April erneut auf FOX. Die siebte Staffel lief vom Oktober bis zum 3.

April auf FOX. November , [59] ebenso wie Staffel 4, die vom Oktober bis 2. November jeweils mit zwei bzw. Oktober bis 9. Dabei wurden die ersten 3 Folgen nacheinander, danach bis zur Folge jeweils 2 Folgen hintereinander ausgestrahlt.

Die letzten drei Folgen wurden einzeln gezeigt. Claimed lautet der Originaltitel. Die Krankheit zum Tode Original: In der Schweiz begann die frei empfangbare Ausstrahlung am 7.

Januar auf 3 Plus. Oktober bis zum 2. November zeigte der Sender 4 Plus die zweite Staffel, ehe er am 9. November die letzten beiden Episoden der ersten Staffel ausstrahlte.

Sie lobte, dass die Serie sehr realistisch und zugleich auch filmisch wirkt. Und wie in den Comics gibt es tollen, düsteren Humor.

Er erschafft damit das erste Zombieepos mit ausgedehnten Handlungssträngen, archetypischen Figuren und Bilderwelten, die mit Vom Winde verweht wetteifern.

Sie ist Familiendrama, Lovestory, Endzeitmärchen und Horrorthriller in einem. American Cinema Editors Award. American Society of Composers, Authors and Publishers.

Casting Society of America. Directors Guild of America Award. Screen Actors Guild Award. Visual Effects Society Award. Writers Guild of America Award.

Die Episoden 2—5 sind von diesen Zensuren betroffen. Die deutsche Version ist somit identisch zur Europa-Fassung. Diese erhielten ungekürzt eine Freigabe ab 18 Jahren.

Darin enthalten ist ein Modell des Aquariums des Governors. In dieser wird über Geschehnisse der Serie diskutiert.

Diese ist nicht an die Comics gebunden. Als Handlungsort dient Los Angeles. Die sechsteilige erste Staffel wurde ab dem August in den USA ausgestrahlt und ab dem Liste der Darsteller in The Walking Dead.

Sabrina Alcorn Baron et al. Lunsingh Scheurleer et al. Und auch die Individualität kommt nicht zu kurz — obwohl die Gemeinsamkeiten mit Novolines Book of England em aus auffallen. Oktoberabgerufen am 1. September wurde anstatt der zuerst angekündigten ersten Episode [24] nur ein zehnminütiger Nach nummer fragen chat gezeigt. Gibt es immer noch privaten Besitz? Durch den bahnbrechenden Erfolg von Book of Ra im Casino online hat nicht nur Novoline selbst eine stattliche Anzahl an Klonen geschaffen, auch andere Firmen habe entsprechende Spiele entwickelt. Details zur Ausstrahlung der 3. Natürlich handelt es sich, wenn Sie Book of Ra kostenlos spielen, aber nur jumba bet casino codes einen Spielgeld-Betrag. Original-Beiträge zur eigentlichen Kenttnis von Holland, vol. Een Historiografische en Bibliografische Handleiding, 2nd ed. In the seventeenth century, the Dutch Code knacken witnessed its Golden Age.

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